Protests happily continue to mount against the rapid encroachment of Artificial Intelligence over all spheres of society—and have met with some victories. Other responses, however appear to have succumbed to desperation and counter-productive adventurism. But even the United Nations human rights commissioner has taken note amid repeated incidents of AI programs "going rogue," and more industry insiders coming forward to warn of catastrophic risks to humanity. Bernie Sanders has called for legislating a pause on "superintelligent" AI. Meanwhile, in a virtually regulation-free environment, so-called "biological data centers" are pioneering the neural-digital interface—portending the actual abolition of humanity. In Episode 347 of the CounterVortex podcast, Bill Weinberg notes how the predicament now facing humanity was predicted by dystopian prohets—from Samuel Butler in the 1860s, to Frank Herbert a century later. 

Amid the politicized ugliness and street skirmishes around the 25th anniversary of 9-11 in New York City, a conspiracy-theory confab convenes, glorifying MAGA martyr Charlie Kirk and headlining such high-profile dictator-propagandists and reactionary charlatans as Roger Waters, Jimmy Dore and Ben Swann—indicating that a significant swath of the ostensible "left" has surrendered to the lure of fascism. In Episode 345 of the CounterVortex podcast, Bill Weinberg again dissects the emerging Red-Brown alliance.

With the CounterVortex website debilitated by Chinese state-sponsored hackers, chief blogger and ranter Bill Weinberg takes heart in the vibrant scene unfolding this summer in the Lower East Side's Tompkins Square Park—which was kicked off with the anti-tech fest Summer of Ludd. In an historical comparison, Weinberg reads from the December 1966 issue of Paul Krassner's The Realist, in which Robert Anton Wilson wrote on the "cybercultural revolution," and from the Winter 2025 issue of Berkeley anarchist zine Slingshot, in which Anthony Moser rants against Artificial Intelligence. Moser notes how Japanese animator Hayao Miyazaki dissed AI-generated anime as "an insult to life itself"—only to have ChatGPT retaliate by targeting his Studio Ghibli for appropriation. In Episode 343, the CounterVortex podcast offers a vigorous defense of authentic human culture, the material world, and real life. 

The righties are apoplectic that Christopher Nolan's The Odyssey famously portrays a Black Helen—displaying their ignorance of the actual intercourse between Africa and the ancient Greek world. But apart from the cultural politics of the movie, the geopolitics of the Trojan War have all too much to say about the contemporary world crisis. Then, the Bosphorus and Dardanelles constituted the strategic chokepoints at issue, just as the Strait of Hormuz and Bab al-Mandeb do today. And the Bosphorus & Dardanelles could suddenly become critically strategic if Turkey becomes embroiled in either the Middle East war or the Ukraine war—or both. Finally, the movie itself has become embroiled in a geopolitical dispute: Nolan shot his cinematic spectacle partly in Moroccan-occupied Western Sahara—not, as the film credits say, "Morocco." This is another near-forgotten conflict that now shows signs of re-escalating—and may have been at issue in the recent deadly incident at the Spanish North African exclave of Ceuta, situated just within the strategic Strait of Gibraltar. The current world crisis could bring about a civilization collapse far more decisive and complete than the Bronze Age Collapse that followed the Trojan War.

Voices from within the academy are now raising the alarm about the decline of literacy under the relentless assault of totalized digital immersion—finally catching up to what CounterVortex blogger and ranter Bill Weinberg has been saying for years (although sneering denialism about the problem remains fashionable). Worldwide, the humanities are being abandoned in favor of STEM, while social media overtakes "legacy media" as a source of "news"—or (as is more often the case) sinister propaganda. In Episode 333 of the CounterVortex podcast, Bill takes stock of this grave and still under-appreciated threat to the survival of democracy and humanity itself—and looks for signs of practical resistance.

CS Lewis is mainly seen as either a purveyor of goopy children's literature or a Christian moralist fuddy-duddy. But Lewis' Space Trilogy—fantastic literature for adults, or "philosophical science fiction"—also reveals him as a dystopian prophet in the tradition of Orwell. The first two books in the series, Out of the Silent Planet and Perelandra, are a critique of space imperialism that anticipated the Avatar movies. But the final one, That Hideous Strength, is particularly relevant for our historical moment, as it anticipated rule by fascist tech bros with hubristic visions of remaking (or abolishing) humanity. In Episode 332 of the CounterVortex podcast, Bill Weinberg makes the case that Lewis offered a vital critique of technocracy and "transhumanism" that is now urgently needed, as humanity stands at the cusp of his worst nightmares.

Protests break out in Russia over the new internet restrictions imposed by the Putin regime, while social media and instant messaging have become the "new public square" for the Gen Z protests that have swept the planet over the past months. Exemplifying the identification with online culture, a pirate flag from a Japanese anime series has become the global emblem of the Gen Z resistance. The new youth social media bans in a growing number of countries are opposed by human rights and civil-liberties groups for good reason. Yet the dystopian side of digital technology becomes more apparent each day—from the climate impacts of data centers, to cynical attempts to sell nuclear power as "clean energy" (sic!) to meet the surging electricity demand, to the digital colonization of human consciousness. Protests are also emerging to the new techno-fascism, and this critique must be central to any true oppositional movement. In Episode 321 of the CounterVortex podcast, Bill Weinberg grapples with the contradiction.

Eclipsed from the headlines by the war in the Middle East, Russia launches a new offensive in Ukraine with an unprecedented wave of drone and missile strikes across the country—even hitting an historic monastery in Lviv. Meanwhile, two young Russian poets, Artyom Kamardin and Yegor Shtovba, remain imprisoned on "state subversion" charges related to public readings of anti-war poetry. They join other imprisoned poetic anti-war activists, such as Daria Kozyreva, and numerous artists and activists imprisoned for opposing the new dictatorship of Vladimir Putin. The recently passed Russian rocker Nikolay Komyagin, frontman for the post-punk band Shortparis, was also an icon of artistic resistance. Long known for their defiant sound, after the 2022 invasion of Ukraine they released the music video "Apple Orchard," on an anti-war theme—resulting in them being blacklisted from major venues in Russia. In Episode 320 of the CounterVortex podcast, Bill Weinberg places these courageous voices in the context of a dissident tradition in Russia under the dictatorships of the czars, the Soviets, and now Putin—from Leo Tolstoy to Shortparis.