A dangerous social consensus can be seen consolidating behind the hashtag #JeSuisCharlie. France just announced it is sending its Charles de Gaulle aircraft carrier to support military operations against ISIS in Iraq. This comes after al-Qaeda in the Arabian Peninsula (AQAP) claimed responsibility for the Paris attack in a video message by commander Nasr Bin Ali al-Anesi on the Qaedist website Sada al-Malahim (not on Google, seemingly). Al-Anesi said the attack was carried out under orders from al-Qaeda's global leader Ayman al-Zawahiri. (Yemen Post, Reuters, CNN) Reprisal attacks are sweeping France. Abdallah Zekri of the National Observatory Against Islamophobia said that since the Charlie Hebdo massacre, 26 Muslim places of worship around France have been attacked with firebombs, fired at, or desecrated with pig heads. There have been many more insults and threats. (AP) We have heard of no arrests in these cases, but French authorities have detained 54 for violating the country's strong laws against anti-Semitism and racism—seemingly all preceived apologists for Islamist terrorism. Among the detained is comedian Dieudonne M'Bala M'Bala, who has repeated convictions under the hate speech laws. Prime Minister Manuel Valls has declared Dieudonné "no longer a comedian" but an "anti-Semite and racist." He was arrested after posting a Facebook comment playing on the popular hashtag to suggest that he "is" one of the slain assailants in the Charlie attack. (AP, AFP, Foreign Policy, Jurist) However repulsive Dieudonne's post, the cognitive dissonance is overwhelming. An attack on free speech is being used to justify further attacks on free speech... in the name of protecting free speech.

By now we've all heard. Gunmen today shot dead 12 people at the Paris office of French satirical magazine Charlie Hebdo, apparently while shouting "Allahu Akbar" and "We have avenged the Prophet Muhammad!" Editor Stephane "Charb" Charbonnier is among the dead; he had received death threats in the past and was living under police protection. Charlie Hebdo’s offices were bombed in 2011, after the magazine released an issue in which the Prophet Muhammed was satirically billed as "guest editor." The issue included cartoons lampooning Muhammed and was redubbed "Charia Hebdo," a reference to Shariah law. The new attack is said to be the deadliest in France since 1961, when rightists who opposed Algerian independence bombed a train, killing 28 people. (BBC News, NYT)

OK, we have no doubt that The Interview is an abominably bad movie, and it is very irksome to have to agree with David Cameron, who is grandstanding about how Sony's pulling of the film is a threat to freedom of expression. Hollywood actors have been making similar noises. And of course this is being played up by the UK's right-wing The Telegraph and imperial mouthpiece Voice of America. But they happen to be correct. The fact that the movie is (probably—we won't be able to see it to tell for ourselves) ugly propaganda doesn't mitigate the fact that Sony's capitulation sets a very bad precedent. (Communities Digital News recalls the 1988 controversy over right-wing Christian threats against The Last Temptation of Christ.) Note that the supression is so complete that The Interview's official website is down, redirecting to the Sony Pictures homepage, and the trailer has been removed from YouTube. All this due to a bunch of almost certainly empty if bombastic ("Remember the 11th of September 2001") threats from an Orwellianly named and probably functionally non-existent cell, the "Guardians of Peace." Homeland Security said it has no evidence to suggest these threats would be carried out, reports Variety. But Sony folded like the proverbial house of cards, while issuing a statement complaining of being "the victim of an unprecedented criminal assault." This assault also includes the hack of Sony's computers, which US officials do say has been tracked to North Korea. (AP) But the notion that the DPRK has a network of sleeper cells across the USA... well, it sounds like a bad movie.

George Orwell, and especially his dystopian novel 1984, has long been appropriated by neocons and (before that) Cold War hawks in the West. It's almost heartwarming to know that international despots still consider it dangerous. Seemingly oblivious to their own irony, police in Egypt last week arrested a 21-year-old student near the entrance of Cairo University for carrying a copy of 1984. It is unclear if the student, identified only as "Mohamed T," will face charges. The Egyptian Interior Ministry actually issued a statement explaining the arrest, innocently and not quite accurately saying that the novel "talks about military regimes which rule in corrupt countries." (The Week, UK, Nov. 10)

Aryana Sayeed, a popular singer and TV personality known as the "Adele of Afghanistan," was among the performers at a Kabul "Peace Concert," organized by a network of youth groups and held at the city's Babur Garden venue Oct. 19. In August, she performed at a similar concert held in front of the ruins of the Bamiyan Buddhas that were destroyed by the Taliban in 2001. Sayeed remains unbowed in the face of hate mail and death threats over her refusal to wear the hijab in her performances and TV appearances, becoming an icon of women's freedom in Afghanistan. In a typical statement, parliament member Abdul Satar Khawasi said her show "brings shame to our community and ruins our Islamic and Afghan dignity and culture." Satar has called for a jihad against the reality-style talent showcase program, dubbed "The Voice," in which Sayeed is a judge. In response to the threats, Sayeed said: ""I'm here to make a difference for women. I want women to have rights, to talk freely, to walk freely... I'm not saying that they have to take their clothes off, or even remove their head scarfs. Freedom is being able to live as a human being.'' In one of her music videos, Sayeed sings "Because I am a woman, I am a slave''—against a background of images of women in burqas. (Dawn, Pakistan, Oct. 21; The Nation, Pakistan, Oct. 20; TeleCinco, Spain, Oct. 14; NBC, Oct. 12; DPA, Aug. 17; AFP, Aug. 16; Khaama Press, Afghanistan, July 22)

We were pleased as punch last month when South Korean rapper PSY's irresistible "Gangnam Style" video became the most-viewed clip of all time on YouTube, with 806 million views, surpassing something by that pisher Justin Bieber. (LAT, Nov. 24) How can this be anything other than an advance for humanity? The young YouTube star XiaoRishu, a London vlogger of Chinese-Vietnamese background, has a devastating video taking down the stateside xenophobic backlash to K-pop's ascendence, as exemplified in another vid from some redneck punk somewhere in the US heartland sputtering (all too literally) a racist anti-Gangnam Style rant (no, we're not gonna give him a link). What makes it even better is that "Gangnam Style," as its Wikipedia page informs us, is intended to poke fun at the well-heeled residents of Seoul's upscale Gangnam suburb—the song is a proletarian statement against the bourgeoisie, even if the video's legions of fans in places like Bel Air or Roslyn, Long Island, don't have a clue about this. So it is no surprise that "Gangnam Style" has now officially entered the USA's tiresome and interminable culture wars...