An Iranian appeals court sentenced filmmaker Keywan Karimi to one year in prison for "insulting sanctities" on Jan. 22, reducing his initial sentence of six years. The sentence resulted from Karimi's film focusing on political graffiti in Iran since the 1979 Revolution. Iran has recently cracked down on freedom of expression, harshly punishing journalists and artists. Citizens have been forced to flee the country in order to avoid unjust prison sentences. In June, one artist was sentenced to nearly 13 years for depicting Iranian parliament members as animals to criticize a draft law. Karimi plans to remain in the country and serve his sentence.

The story of the capture of Chapo Guzmán—Mexico's top fugitive drug lord—took a turn for the surreal Jan. 9 with the relevation that Hollywood heavy Sean Penn had interviewed the kingpin when he was on the lam last year for Rolling Stone magazine. In the account, Penn describes the complicated process of estabishing contact, with encrypted communications and such, before being flown from an unnamed location in central Mexico to a "jungle clearing" for some face time. We have to be a tad skeptical here. Chapo was tracked down by Mexican federales to a luxury condo in a Sinaloa seaport—nowhere near any jungle. Even if the meeting was arranged at a remote location, it was still likely to be in Chapo's northern stronghold state of Sinaloa—and the only real jungle in Mexico is in southern Chiapas state, hundreds of miles away. Taking some liberties for dramatic effect perhaps, Sean?

OK, here we go. Get ready for the tiresome semantic debate about whether the San Bernardino massacre was "terrorism," or not. As if that's the most important question we should be grappling with.... Was this yet another random "mass-shooting" motivated by some personal grudge and rooted in America's homegrown culture of vigilantism and personal revenge? (This kind of thing is so commonplace that the same day's shoot-up in Savannah, Ga., barely made the news because only four people were shot, one fatally, the WaPo says.) Or was it inspired or even directed by an extremist political tendency of one stripe or another? This question is pathologically politicized...

The response to the latest campus shoot-up is depressingly predictable, and it gets worse each time. Just heard some talking head on NPR (he's also been on Michigan's WPBN and Illinois' KHQA) intoning the "If You See Something, Say Something" mantra—this time regarding human beings exhibiting suspect behavior. So now it doesn't just apply to mysterious packages left unattended on subway platforms, but to people who seem "weird" or "off" or "loners" or "maladjusted" or "mentally ill" (all problematic labels). Rat-out culture is being extended and institutionalized, while the Gun Lobby makes it impossible to address the ubiquity of the instruments of death used in these routine massacres. (This latest punk had an AR-15 and five handguns.) So (count on it) within a year or two (maybe less), there will be round-ups and pre-emptive arrests of the socially awkward, the introverted, Asperger's diagnosees, etc... and you will still be able to walk into a gun show, slap down your money and walk out with an AR-15, no questions asked. So spare us your 100% bogus talk about "freedom," gun-fetishists.

Last night, this blogger visited the 9-11 Museum—invited by a friend who got free passes that evening because she worked in the area of the disaster in September 2001. I certainly was not going to pay the absurd $24 entrance fee. There was also a surreal irony to the fact that entering the museum entailed a full airport-style security check, complete with X-rays, full-body metal-detector scans, complete emptying of pockets, removal of belts, and so on. And this at a supposed memorial to American freedom. Talk about the "terrorists win." The museum itself is in many ways impressive—starting with its sheer scale. It is actually built in the World Trade Center "Bathtub," the huge foundation pit with reinforced walls to keep the waters of the Hudson River at bay. These walls are left visible, loaning an atmosphere of stark industrial majesty. The Mohawk iron workers who risked their lives in the construction of the WTC are, at least, briefly mentioned. There is inevitably a lot of maudlin and/or bellicose patriotism on display, but any honest presentation would have to reflect that, and it is generally shown with a sense of objectivity.

Kurdish-American pop singer Helly Luv travelled to northern Iraq where she donned a Peshmerga uniform and visited the frontline against ISIS to gyrate before the cameras in a video for a song dubbed "Revolution," offering encouragement to the Kurdish fighters: "Stand up, we are united; together we can survive it... Brothers and sisters we all come from one; Different religions we share the same blood." This has of course won her death threats from ISIS—we can imagine how upset the jihadists must be by a video combining Luv's unabashed sexuality with glorification of the anti-ISIS fighters. She also issued an appeal to President Obama to directly arm the Peshmerga—something he still hasn't done, although various European leaders have. "If we can give the Peshmerga the weapons, they can destroy the enemy. Even right now, they don't have strong weapons, but they're still winning," Helly said.

The interminable cartoon wars now move back to Iran, where 28-year-old artist Atena Farghadani has been sentenced to 12 years and nine months in prison. Her crime? A cartoon that depicts members of parliament as animals—seemingly a ruse to avoid specifically identifying them, so as to avoid trouble. According to Amnesty International, she was charged with "spreading propaganda against the system," "insulting members of parliament through paintings," and "gathering and colluding against national security." The offending cartoon depicted parliamentarians as monkeys, cows or goats as they cast votes for proposed laws that would ban some types of birth control and restrict women's access to contraception.

Well, the interminable cartoon wars have now hit Malaysia. On Feb. 10, the Malaysian Federal Court upheld a "sodomy" conviction and five-year prison term of opposition leader Anwar Ibrahim, a decision clearly as politicized as it is reactionary. That same day, cartoonist Zulkiflee Awar Ulhaque, popularly known as Zunar, was arrested at his home—charged under the country's draconian "sedition" law for tweeting a cartoon critical of the ruling, and portraying the judge in the case as Prime Minister Najib Razak. (BBC News, The Malaysian Online, Jurist) Said Shawn Crispin of the Committee to Protect Journalists: "We call on authorities to release Zunar immediately, drop all charges against him, and get to work reforming the sedition law that Prime Minister Najib Razak once acknowledged has no place in Malaysian society." Not all voices have been so forthright, however...