Ukraine's parliament, the Verkhovna Rada, adopted a resolution April 14 formally recognizing the actions of the Russian armed forces in the country as genocide of the Ukrainian people. Said the MPs in a statement upon passage of the resolution: "The actions committed by the Russian armed forces are not just a crime of aggression, but pursue the goal of systematic...destruction of the Ukrainian people, their identity, and deprivation of their right to self-determination... This requires immediate recognition of the actions committed by the Russian armed forces during the last phase of the Russian armed aggression against Ukraine, which started on February 24, 2022, with the genocide of the Ukrainian people."

In Episode 119 of the CounterVortex podcast, Bill Weinberg explores the intellectual challenge posed to Western anti-fascists by Putin's ultra-cynical fascist pseudo-anti-fascism. Russian state media have issued a "blueprint for genocide" in Ukraine—in the perversely paradoxical name of "de-nazification." With much of the American "left" stupidly rallying around Putin and repeating his line that the Ukrainians are neo-Nazis, some of the once-stalwart antifas (themselves coming under attack from domestic fascism) are in danger of being coopted by fascism. Of course there are actual far-right elements on the Ukrainian side—which Ukrainian anti-fascists have been actively resisting. But in an atmosphere of totalizing propaganda, it is critical that we do not rely exclusively on pro-Putin sources for information on elements such as the notorious Azov Battalion, but get outside the confirmation-bias bubble. It is even more critical that we ruthlessly reject double standards, and acknowledge that the fascist element is far more hegemonic on the Russian side—and that Putin's new Russo-fascism is aligned with Trumpism.

Moscow police on the night of April 13 broke up a concert by pianist Aleksey Lyubimov and singer Yana Ivanilova at the city's Rassvet Cultural Center. The official reason for the raid was an anonymous bomb threat on the venue. But concert organizers noted that the program included songs by the Ukrainian composer Valentin Silvestrov, which had apparently been chosen as an implicit anti-war statement. Lyubimov continued to play the song he was in the middle of even as uniformed police took over the stage and hovered over him menacingly. As the classical music news site Slipped Disc stated: "Lyubimov's final chord was an act of defiance." Moscow Times reports that police then ordered the premises cleared, but applause from the audience drowned out the officers' words. After the theater was evacuated, police brought in dogs and had it searched for two hours. No explosives were found.

Four journalists who worked for the independent Moscow student magazine Doxa were sentenced to two years' "correctional labor" April 12 over an online video in which they defended the right of young Russians to engage in peaceful protest. The four—Alla Gutnikova, Armen Aramyan, Natasha Tyshkevich and Volodya Metelkin—had been under house arrest for nearly a year after being detained for posting the three-minute video on YouTube. In the video, posted in January 2021, they asserted that it was illegal to expel and intimidate students for participating in demonstrations in support of imprisoned Kremlin critic Alexei Navalny. Prosecutors claimed that the video encouraged the "involvement of minors" in anti-Kremlin protests, leading to the arrest of over 100 people under the age of 18 in the demonstrations then sweeping Russia.

Ukrainian officials are accusing Russian forces of having used chemical weapons on the besieged Azov Sea port city of Mariupol on April 11, causing troops and civilians alike to develop respiratory symptoms. The claim first emerged from the Azov Battalion, a unit of the Ukrainian National Guard involved in the defense of the city, which posted to its Telegram channel: "Russian occupation forces used a poisonous substance of unknown origin against Ukrainian military and civilians in the city of Mariupol, which was dropped from an enemy [unmanned aerial vehicle]. The victims have respiratory failure, vestibulo-atactic syndrome."

Across Ukraine, prosecutors are collecting evidence of potential war crimes by Russian forces in the weeks since the invasion was launched, and now say they are investigating some 5,000 cases. But it was images of the bodies in Bucha–revealed after Russian troops withdrew from areas outside the Ukrainian capital last week–that captured global attention. Authorities say at least 320 civilians were slain in Bucha, a small city northwest of Kyiv. Between 150 and 300 bodies were buried in a mass grave, while others were left scattered along a street for weeks. Hundreds were killed in other towns outside Kyiv, such as Borodianka and Hostomel, while an apparent Russian missile strike on a railway station in the southeastern city of Kramatorsk on April 8 killed at least 50 civilians, including several children.

Crimean Tatar community leaders on March 29 issued a demand that return of the Crimean Peninsula, unilaterally annexed by Russia in 2014, be a condition imposed by Kyiv in its talks with Moscow to end the war in Ukraine. The decision to adopt this demand was taken in a virtual meeting of the Mejlis—the traditional assembly of the Crimean Tatars, which has now been suppressed within Crimea by the Russian occupation forces. "The re-establishment of the territorial integrity of Ukraine within its internationally recognized borders, including the republic of autonomous Crimea and Sevastopol, should be an obligatory condition for official negotiations between Ukrainian representatives and the aggressor state," said the chief of the Mejlis, Refat Chubarov. The online meeting of the Mejlis took place ahead of a new round of talks between Russia and Ukraine in Istanbul. (The Moscow Times, Interfax Ukraine)

In Episode 117 of the CounterVortex podcast, Bill Weinberg recalls the history of the Neither East Nor West position taken by anarchists and anti-authoritarians in the Cold War—seeking to build solidarity between anti-war and left-libertarian forces on either side of the East-West divide. With the world now arguably closer to military confrontation between nuclear-armed powers than it ever was in the (first) Cold War, is such a position still possible? The recent controversy surrounding a planned art show in New York City featuring the work of Russian anti-war artists crystalizes the dilemma. Weinberg also explores the paradoxically parallel thoughts of democratic socialist George Orwell and conservative moralist CS Lewis, both writing in the era of fascism, on the dangers of a "pacifist" position that abets aggressive war and totalitarianism. It is critical that progressives in the West avoid this trap by supporting the courageous Russian anti-war protesters—not (as some have) the war criminal Vladimir Putin. Listen on SoundCloud or via Patreon.