In Episode 143 of the CounterVortex podcast, Bill Weinberg notes the all too telling irony that Putin's annexation of Ukraine's Donbas region came on exactly the same day as the 1938 Munich Agreement, which approved Hitler's annexation of Czechoslovakia's Sudetenland region. Russian annexation of the Donbas was preceded by that of Crimea, just as the Nazi annexation of Sudetenland was preceded by that of Austria. This is the same pattern of escalation toward world war—only this time Putin's overt nuclear threats make the stakes even higher. Signs of hope include the anti-draft uprising in Russia and mass exodus of Russian youth, which undermine Putin's war effort and threaten his very regime. War Resisters International has issued a petition demanding that European states offer asylum to all Russian deserters and conscientious objectors to military service. Alas, much of the Western "left" continues to cover up for Putin's criminal aggression. Dissident websites such as CounterVortex and Balkan Witness debunk the Russian war propaganda being recycled by Putin's internet partisans on the pro-fascist pseudo-left.

In Episode 140 of the CounterVortex podcast, Bill Weinberg calls out former Pink Floyd creative genius Roger Waters as a propaganda agent for the criminal regimes of Vladimir Putin, Xi Jinping and Bashar Assad. In his recent CNN interview, Waters blames Ukraine for getting invaded, falsely states that "Taiwan is part of China," and dismisses as "bollocks" that there are human rights abuses in China. He has the unmitigated chutzpah to send an open letter on social media to Ukrainian First Lady Elena Zelenska urging her to use her influence on her husband to "end the war"—to which she rightly responds: "If we give up, we will not exist tomorrow. If Russia gives up, war will be over." We've noted before Roger's spewing of genocide-abetting denialism about the Syria chemical attacks. And he disses his own fans who don't go along with his war propaganda. Roger Waters has become the fascist rock star he once satirized in The Wall. The public acrimony between Waters and his ex-bandmate David Gilmour has now become political, with Gimour's release (under the banner of Pink Floyd) of the song "Hey Hey, Rise Up," explicitly in support of Ukraine. David Gilmour is right, while Roger Waters is now just another brick in the wall.

In Episode 138 of the CounterVortex podcast, Bill Weinberg is outraged that The Nation magazine marks the ninth anniversary of the Ghouta chemical massacre by engaging in glib "false flag" theorizing—the predictable response of the post-truth pseudo-left. This sinister spewing from writer David Bromwich is but the latest entry in a long and shameful litany of pro-Assad and pro-Putin propaganda to appear in The Nation. Similar chemical denialism has been dished out by James Carden, and loaned credence by Phyllis Bennis—despite the findings of bona fide human rights groups. The Nation's Bob Dreyfuss has expressed open support for the genocidal dictatorship of Bashar Assad. The Nation's late éminence grise Stephen F. Cohen has spread dishonest Russian propaganda both on Syria and on Ukraine, his spewings eagerly lapped up by Tucker Carlson. Weinberg asserts that The Nation has become a vehicle of Kremlin foreign policy aims, and calls for a complete boycott. Listen on SoundCloud or via Patreon.

In Episode 135 of the CounterVortex podcast, Bill Weinberg examines Russia's obvious attempt to bring about a return to power by MAGA-fascism in the US, or to have the country collapse into civil war—leaving Moscow considerably freer to carry out its campaign of reconquest in Ukraine and possibly beyond. This is the evident design of the FSB (neo-KGB) in coordination with a political network in the orbit of Alexander Dugin, the intellectual mastermind of Vladimir Putin's revanchist imperial project, and the strategy of building a "Red-Brown alliance" of the radical right and radical left against the "liberal order" of the West. How is it possible that Black Nationalists and supposed "progressives" are being taken in by the same FSB-backed astroturf organizations that are also grooming white supremacists and neo-Confederates? Listen on SoundCloud or via Patreon.

Federal agents executed search warrants July 29 at a Black Nationalist meeting place in St. Petersburg, Fla. The agents were seen carrying out unidentified boxes for hours at Uhuru House, local headquarters of the Uhuru Movement, an arm of the African People's Socialist Party (APSP). This is a pan-Africanist formation with separatist inclinations dating back to the early '70s. The Uhuru Movement is evidently the "US Political Group 1" named in a federal indictment unsealed that same day, formally charging a Russian national with spearheading a multi-year "influence campaign" in the United States. Aleksandr Viktorovich Ionov is accused using three unnamed "political groups" to spread pro-Russian propaganda in the US and interfere in elections. Ionov, a Moscow resident, is founder and leader of the Anti-Globalization Movement of Russia (AGMR), which the indictment says operates "in conjunction with" the Russian Federal Security Service (FSB, successor agency to the KGB).

In Episode 131 of the CounterVortex podcast, Bill Weinberg calls out the ironically named Fairness & Accuracy in Reporting (FAIR) for openly spreading Russian disinformation. FAIR serially portrays the 2014 Maidan Revolution as a US-instrumented, Nazi-tainted, unconstitutional "coup." FAIR commentators Luca Goldmansour, Gregory Shupak and Bryce Greene are all guilty of this. They do not bother to consult voices of Ukrainian civil society—academics, media watchdogs and human rights groups—that refute this notion. Glomming onto the notorious Nuland phone call to dismiss a grassroots pro-democracy uprising as a Washington "regime change" intrigue reveals chauvinistic contempt for the Ukrainians. And hyping the supposed "Nazi" threat in Ukraine (while ignoring the Nazi-nostalgist and neo-fascist elements on the Russian side) abets Putin's ultra-cynical propaganda stratagem of fascist pseudo-anti-fascism. Rather than calling out Fox News for its propaganda service to Putin, FAIR instead joins them. How did a supposed progressive media watchdog become a de facto arm of Kremlin war propaganda? Listen on SoundCloud or via Patreon.

In a series of brief interviews with vlogger and activist songster Geof Bard, CounterVortex producer Bill Weinberg dissects the sinister "tankie" phenomenon on the contemporary Western "left," which paradoxically supports Russian imperialism in the name of a misguided "anti-imperialism." This absurd double standard is enabled by the so-called "Chomsky Rule," which holds that we are only permitted to protest the crimes of US imperialism—and thereby renders the crimes of rival imperialisms invisible to the activist-left milieu. The pseudo-left betrayal of Ukraine to imperialist aggression actually undermines our moral authority to oppose the crimes of the US and its client states in places like Gaza and Yemen.

In Episode 126 of the CounterVortex podcast, Bill Weinberg marks the anniversary of the Tiananmen Square massacre of June 4, 1989—"6-4," as it is known in China, or "63+1" or "65-1," in a game of keeping ahead of online censors. With the massacre commemoration first exiled from Beijing to Hong Kong, it has now been exiled from Hong Kong to New York City as police-state measures are extended from the mainland. But China's official denialism about the massacre extends even to the US, where both the sectarian left and "paleoconservatives" echo Beijing's revisionist line. Both regime proponents and detractors share the consensus that the massacre and subsequent wave of repression across China was a "red terror," carried out as it was by a "Communist Party." A case can be made, however, that it was actually a "white terror," enforcing China's capitalist conversion. The recent crackdown on dissident workers and Marxist student activists in China—complete with extrajudicial "disappearances"—reveals "Xi Jinping Thought" to be (like Putinism and Trumpism) an updated variant of fascism. Listen on SoundCloud or via Patreon.